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Documentary photographs of the great photographer and father of photojournalism Henri Cartier-Bresson
Documentary photographs of the great photographer and father of photojournalism Henri Cartier-Bresson

Video: Documentary photographs of the great photographer and father of photojournalism Henri Cartier-Bresson

Video: Documentary photographs of the great photographer and father of photojournalism Henri Cartier-Bresson
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Henri Cartier-Bresson is a legendary man and the father of photojournalism, a French photographer, without whom it is impossible to imagine the photography of the 20th century. He was the founder of the street photography genre. His black-and-white photographs represent the history, atmosphere, breath and rhythm of life of an entire era, and hundreds of modern photographers learn from his photographs.

1. In the city center

Naples. Italy, 1960
Naples. Italy, 1960

2. Tourist center

USA, San Francisco, 1960
USA, San Francisco, 1960

In the 1930s, young Bresson sees the famous picture of the Hungarian photojournalist Martin Munkacsi "Three Boys on Lake Tanganyika". “I suddenly realized that photography can capture infinity at one moment in time,” wrote Cartier-Bresson many years later. - And it was this photograph that convinced me of this. There is so much tension, so much spontaneity, so much joy in life, so much supernaturalness in this picture that even today I cannot look at it calmly."

3. Reach heaven

Guests in the village on Lake Sevan. Armenia, 1972
Guests in the village on Lake Sevan. Armenia, 1972

The disclosure of Bresson as a photographer took place during the Second World War: fascist captivity, escape, participation in the Resistance - in order to record military everyday life on film, the photographer required not only a faithful eye, but courage and composure.

4. Japan, 1956

After ending the state of war between the USSR and Japan
After ending the state of war between the USSR and Japan

In 1947, Cartier-Bresson became one of the founders of the famous international association of photojournalists Magnum - a response to the predatory policies of many Western agencies and magazines towards photographers. The agency's photographers divided the globe into "spheres of influence," and Cartier-Bresson got Asia. His reports in countries that have gained or are fighting for independence - India, China, Indonesia - have made him a world-class photojournalist.

5. Martin Luther King

American Baptist preacher and activist
American Baptist preacher and activist

The photographer's "invisibility" became widely famous - his models in most cases did not even suspect that they were being photographed. For greater disguise, Cartier-Bresson even covered the shiny metal parts of his camera with black duct tape.

6. Bougival

In the western suburbs of Paris
In the western suburbs of Paris

7. Play of shadows

Behind the Saint-Lazare train station, 1935
Behind the Saint-Lazare train station, 1935

But the main feature and truly gift of the photographer is the “decisive moment”, an expression that, with his light hand, gained wide popularity in the photographic world. Bresson has always tried to shoot any subject at the moment of reaching the peak of emotional tension, and you will definitely feel this through his photographs.

8. Yer

Vintage staircase. France, 1932
Vintage staircase. France, 1932

“Photography itself does not interest me. I just want to capture a piece of reality. I do not want to prove anything, to emphasize anything. Things and people speak for themselves. I am not in the kitchen. Working in the lab or in the studio makes me nauseous. I hate to be manipulated - not during shooting, not after, in a dark room. A good eye will always notice such manipulations … The only moment of creativity is one twenty-fifth of a second, when the shutter clicks, light flashes in the camera and the movement stops."

9. Arrested

Arrested. Brussels, 1932
Arrested. Brussels, 1932

“It sometimes happens that you, dissatisfied, freeze in place, waiting for the moment, and the denouement comes suddenly, and, probably, a good shot would not have happened if someone passing by would not accidentally hit the camera lens”.

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