The East is a delicate matter: the Ottoman Empire in lithographs of the 18th-19th centuries
The East is a delicate matter: the Ottoman Empire in lithographs of the 18th-19th centuries

Video: The East is a delicate matter: the Ottoman Empire in lithographs of the 18th-19th centuries

Video: The East is a delicate matter: the Ottoman Empire in lithographs of the 18th-19th centuries
Video: Щит и меч, 2 серия (реставрация 4К, реж. Владимир Басов, 1967 г.) - YouTube 2024, November
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The fortress walls of Antioch. William Bartlett. 1836 g
The fortress walls of Antioch. William Bartlett. 1836 g

The fact that it is not a secret, and that it is there that miracles and fairy tales are born - is far from news. Majestic architecture, golden sands, ancient monuments, traditional clothes, as well as temples and people obsessed with secrets - all this and much more can be seen in the magnificent works of travel artists, who most accurately managed to convey the atmosphere reigning around.

Parthenon in Athens. Edward Dodwell. 1821 g
Parthenon in Athens. Edward Dodwell. 1821 g
The Erechtheion in the Athenian Acropolis. Edward Dodwell. 1821 g
The Erechtheion in the Athenian Acropolis. Edward Dodwell. 1821 g
Gateway to Athens. Edward Dodwell. 1821 g
Gateway to Athens. Edward Dodwell. 1821 g
The zeal of the dervishes. Greece. Edward Dodwell. 1821 g
The zeal of the dervishes. Greece. Edward Dodwell. 1821 g
Dinner in Delphi. Edward Dodwell. 1821 g
Dinner in Delphi. Edward Dodwell. 1821 g
Market in Athens. Edward Dodwell. 1821 g
Market in Athens. Edward Dodwell. 1821 g
View of the Church of the Holy Sepulcher in Jerusalem. Luigi Mayer. (Second half of the 18th century)
View of the Church of the Holy Sepulcher in Jerusalem. Luigi Mayer. (Second half of the 18th century)
Bethesda is a sheep font in Jerusalem. Luigi Mayer. (Second half of the 18th century)
Bethesda is a sheep font in Jerusalem. Luigi Mayer. (Second half of the 18th century)
Source of Siloam in Jerusalem. Luigi Mayer (Second half of the 18th century)
Source of Siloam in Jerusalem. Luigi Mayer (Second half of the 18th century)
Tombs of the Jewish kings. Luigi Mayer. (Second half of the 18th century)
Tombs of the Jewish kings. Luigi Mayer. (Second half of the 18th century)
Tomb of Joseph of Arimathea. Luigi Mayer. (Second half of the 18th century)
Tomb of Joseph of Arimathea. Luigi Mayer. (Second half of the 18th century)

Pictures of Nikola Samori not only excite the mind, catching up with fear, but also evoke the most contradictory feelings and sensations, holding the breath from an overabundance of mixed emotions. But it is not surprising that, freezing in place like a sculpture. After all, the canvases depict not so much gloomy, but most likely eerie-realistic plots, more like episodes from films about the Middle Ages, where there was a special atmosphere full of secrets, mysteries and the Holy Inquisition, trying to bring order everywhere …

Tomb at Bethany
Tomb at Bethany
Sarcophagus from the royal tombs. Luigi Mayer. (Second half of the 18th century)
Sarcophagus from the royal tombs. Luigi Mayer. (Second half of the 18th century)
Tombs of the Judges of Israel. Luigi Mayer. (Second half of the 18th century)
Tombs of the Judges of Israel. Luigi Mayer. (Second half of the 18th century)
Main street in Bethlehem. Luigi Mayer. (Second half of the 18th century)
Main street in Bethlehem. Luigi Mayer. (Second half of the 18th century)
Ottoman Empire in lithographs of the 18-19th century
Ottoman Empire in lithographs of the 18-19th century
Jerusalem. Luigi Mayer. (second half of the 18th century)
Jerusalem. Luigi Mayer. (second half of the 18th century)
City of Bethlehem. Luigi Mayer. (Second half of the 18th century)
City of Bethlehem. Luigi Mayer. (Second half of the 18th century)
Funeral monuments near the city of Tartus. Syria. Luigi Mayer. (Second half of the 18th century)
Funeral monuments near the city of Tartus. Syria. Luigi Mayer. (Second half of the 18th century)
The ruins of the ancient city of Amrit near Tartus. Luigi Mayer. (Second half of the 18th century)
The ruins of the ancient city of Amrit near Tartus. Luigi Mayer. (Second half of the 18th century)
Mosque in Latakia. Syria. Luigi Mayer. (Second half of the 18th century)
Mosque in Latakia. Syria. Luigi Mayer. (Second half of the 18th century)
Arvad Island near Tartous. Luigi Mayer. (Second half of the 18th century)
Arvad Island near Tartous. Luigi Mayer. (Second half of the 18th century)
Tartus Cathedral. Luigi Mayer. (Second half of the 18th century)
Tartus Cathedral. Luigi Mayer. (Second half of the 18th century)
Ruins of the sea walls of Alexandria in Egypt. Luigi Mayer (Second half of the 18th century)
Ruins of the sea walls of Alexandria in Egypt. Luigi Mayer (Second half of the 18th century)

Obsessed with religion, symbolism and oriental love tales, the artist Merab Abramishvili presented the audience with an amazing series of paintings made in the style of tempera on gesso. And it is not at all surprising that the author's work in the blink of an eye acquired a huge army of fans, that it is simply impossible to look at them without a bit of admiration. In addition, thanks to such an unusual technique of execution, each of the works resembles a medieval fresco, which further emphasizes the historical theme, which is a key component of his work.

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