Quite understandable avant-garde sculptures
Quite understandable avant-garde sculptures

Video: Quite understandable avant-garde sculptures

Video: Quite understandable avant-garde sculptures
Video: Digital is taking over | Robert Overweg | TEDxUtrecht - YouTube 2024, May
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Quite understandable avant-garde sculptures
Quite understandable avant-garde sculptures

Modern sculpture, unlike classical sculpture, is often completely incomprehensible to the public. If earlier people, examining sculptures, admired the beauty and grace of the female body, the strength and masculinity of the male, now only the legend under the sculpture can explain to people what the author meant with his work. And it's good if the legend is there. But sculptor Olaf Breuning has created a series of sculptures with an absolutely clear message.

Quite understandable avant-garde sculptures
Quite understandable avant-garde sculptures

Olaf Browning has created a series of sculptural works that are quite different from the modern sculptural tradition. This, of course, is also the avant-garde. But such an avant-garde, over which you absolutely do not need to rack your brains, trying to understand what the author said. Olaf Browning's messages are clear and clear. After all, they are written in these works.

Quite understandable avant-garde sculptures
Quite understandable avant-garde sculptures

Actually, these inscriptions are the main part of Olaf Browning's unusual marble sculptures. After all, these sculptures are slabs of marble, on which certain phrases are carved. For example, “I want more and more and more and more” or “No, yes, no, yes, no, yes”. You can also mention two related sculptures with the inscriptions "The day will come and it will happen" and "It must be good."

Quite understandable avant-garde sculptures
Quite understandable avant-garde sculptures
Quite understandable avant-garde sculptures
Quite understandable avant-garde sculptures

Olaf Browning himself claims that in these works he reveals the main cultural clichés of the current Western Civilization. In general, avant-garde, of course, but avant-garde with a human face.

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