Gallery of beauties of Ludwig I of Bavaria: a hymn to female attractiveness
Gallery of beauties of Ludwig I of Bavaria: a hymn to female attractiveness

Video: Gallery of beauties of Ludwig I of Bavaria: a hymn to female attractiveness

Video: Gallery of beauties of Ludwig I of Bavaria: a hymn to female attractiveness
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Portraits of girls from the Gallery of beauties of Ludwig I of Bavaria
Portraits of girls from the Gallery of beauties of Ludwig I of Bavaria

V Munich (Germany) is the Nymphenburg castle. In the 19th century, it served as a summer residence for representatives of the ruling dynasty. One of the attractions of the castle is the Gallery of Beauties. It represents 36 portraits of the most beautiful girls, commissioned by the king Ludwig I of Bavaria … It is worth noting that the canvases depict not only representatives of noble blood, but also ordinary townspeople.

Ludwig I of Bavaria. Joseph Karl Stieler, 1826
Ludwig I of Bavaria. Joseph Karl Stieler, 1826

The Bavarian king Ludwig I, who ruled in the first half of the 19th century, tried to turn Munich into a "second Athens". He patronized painters and sculptors, built buildings in the Greek and Roman styles, and considered himself a poet and published four collections of poetry. However, the writers of that time called the work of the king, who was thirsting for fame, paperwork.

Gallery of beauties at Nymphenburg castle
Gallery of beauties at Nymphenburg castle

Ludwig I of Bavaria loved to surround himself with objects of art: busts of great people, antiques and paintings. Love for the latter resulted in the creation of the Gallery of Beauties (Schönheitengalerie). This is the name of a series of portraits depicting lovely girls.

Gallery of beauties at Nymphenburg castle
Gallery of beauties at Nymphenburg castle

Commissioned by the king, the German artist Joseph Karl Stieler in the period 1827-1850. painted portraits of 36 girls. The king personally chose each of the models. Ludwig I had his own ideal of beauty, according to which not only the girl's external attractiveness was taken into account, but also her high moral qualities. If the monarch found an appropriate model, then its social status was not at all important to him. That is why, next to the portraits of the princesses, there are images of girls from the lower classes.

Sophia of Bavaria - Archduchess of Austria, 1832
Sophia of Bavaria - Archduchess of Austria, 1832

Every time Ludwig I ordered another portrait to Joseph Karl Stiler, he claimed that he had found “the one” that was no more beautiful. By the way, the models in the portraits show a certain type that meets the beauty standards of the classicism era. According to the king, each of the girls should not be thin and not thick, with snow-white skin, with a small straight nose, swollen lips, a high forehead and a swan neck. The line of the shoulders can be compared to the outlines of an antique vase.

Helena Zedlmayr - daughter of a shoemaker, 1831
Helena Zedlmayr - daughter of a shoemaker, 1831

The most famous in the Gallery of Beauties are the portraits of the shoemaker's daughter Helena Zeldmayr, the Austrian Archduchess Sophia, and Queen Maria von Hohenzollern. The king's mistresses also did not stand aside: Lola Montes and Marianne Florenzi.

Maria Friderica of Prussia - Prussian princess, married Queen of Bavaria, 1843
Maria Friderica of Prussia - Prussian princess, married Queen of Bavaria, 1843
Amalie Krudener, 1827
Amalie Krudener, 1827
Anna Hillmaer is the daughter of a meat merchant. 1829 year
Anna Hillmaer is the daughter of a meat merchant. 1829 year
Lola Montes - adventurer, mistress of Ludwig I of Bavaria, 1847
Lola Montes - adventurer, mistress of Ludwig I of Bavaria, 1847

By the way, because of the temperamental adventurer Lola Montes, Ludwig I of Bavaria abdicated the throne.

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