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Video: Glory and oblivion of Anastasia Georgievskaya: Why did they learn about the death of the star of "Big Change" only a week later
2024 Author: Richard Flannagan | [email protected]. Last modified: 2023-12-15 23:55
She was inimitable even in those few episodic roles that she played in films. Anastasia Georgievskaya was a theater actress, and on the stage of her native Moscow Art Theater, in which she served for more than half a century, she embodied many vivid images. Until the last day of her life, Anastasia Georgievskaya worked, but they learned about her death only a week later.
Step by step towards your dream
Anastasia Georgievskaya was born in 1914, and already in 1917 she was left a complete orphan. The baby, who got into the Oryol school-commune, did not dream of a big stage at all, so after graduating from school she continued her studies at a factory school. Having mastered turning and plumbing, Anastasia Pavlovna went to work at a machine-building plant.
Along with the beginning of her career, Anastasia Georgievskaya developed a passion for theater. She began performing in the amateur theater "Zhivaya Gazeta", which was later transformed into the Oryol Theater for Young Spectators. It seems that it was then that Anastasia Georgievskaya began to think about the profession of an actress. Very little time passed, and she already quite consciously changed Oryol to Moscow and was accepted into the troupe of the Moscow Youth Theater, and just two years after moving to the capital, in 1931 she became a student at GITIS.
Profession and whole life
In 1936, Anastasia Pavlovna became an actress of the Moscow Art Theater, which she did not cheat until the end of her days. On the renowned stage, she has played many roles, consistently demonstrating the highest professionalism and incredible immersion in the image. She was equally good at both comedic and dramatic roles.
Those who saw the actress in the play "Yegor Bulychov and others" in the form of the wife of the protagonist came to the production again and again to enjoy the magnificent acting of the actress, who could even convey the character of the near-by Xenia without words. The theatergoers noted that Natasha in Three Sisters performed by Anastasia Georgievskaya was one of the best in the history of the Moscow Art Theater.
However, she did play many roles, including the Stepmother in Twelve Months, Poshlyopkin in The Inspector General, Signora Teresa in Dulcinea of Toboska, and Barbara in Second Love, for which the actress received the Stalin Prize of the second degree in 1951. … In addition, Anastasia Pavlovna was engaged in dubbing cartoons and took part in radio shows.
The actress began acting in films in the early 1950s. She got episodic roles, but the audience was looking forward to every appearance of Georgievskaya on the screen. Just one elderly geography teacher in Big Change was worth it. Serafima Pavlovna performed by Anastasia Georgievskaya possessed incredible charm and charm, it seemed that the actress did not play at all. "… Everything should be a barrel-organ … Damn it!" - it is absolutely impossible to forget this phrase and Anastasia Pavlovna herself, pronouncing it with inimitable intonation.
Loneliness in the crowd
It seems that in the life of Anastasia Pavlovna there was nothing but work. The actress did not have a family and children, and in everything that did not concern art, she was a secretive, even tough person. However, Anastasia Georgievskaya can be understood. As a child, she went through all the "delights" of upbringing in a commune, war, work to exhaustion and loneliness.
She did not like to talk about herself, but her colleagues knew that during the war years Anastasia Georgievskaya went to the front line with concerts, for which she later received the medal "For the Defense of Moscow".
The actress was temperamental and sociable, gushing with ideas and sparkling jokes. But in the evening the curtain fell, the lights went out in the auditorium, and Anastasia Pavlovna went to her tiny two-room apartment, where only a small dog was waiting for her.
She was desperately a lonely person: the actress had no family, children, or even friends. There were persistent rumors that she found solace in alcohol. Perhaps there were health problems, but only Anastasia Georgievskaya never complained to anyone, she lived her difficulties in silence. And she came to life only in her own theater. In 1987, when the Moscow Art Theater split, she took the side of Tatyana Doronina and with her moved to the Gorky Moscow Art Theater. True, there she managed to play only one role: Daria in Farewell to Matera.
Before the start of the theatrical season in 1990, the actress returned from her dacha to the capital, but she never appeared at the Moscow Art Theater, even at the first meeting of the troupe. Dmitry Vlasov, assistant director of the theater, went home to Anastasia Georgievskaya. He knocked and rang at the door, but no one answered him. At the same time, Georgievskaya's neighbors claimed that they heard steps and voices in the apartment. Dmitry Vlasov turned to the police, however, he did not manage to immediately convince the law enforcement officers that the door should be opened.
When I managed to get into the apartment, it was already too late: the actress was dead for about a week. The face and part of the hand of Anastasia Pavlovna were allegedly bitten by the actress's dog. And money was scattered around. The criminologists did not find a criminal trace in the death of Georgievskaya.
Later, an article appeared in Izvestia accusing Tatiana Doronina of what happened to Anastasia Georgievskaya. By the way, the reproaches and accusations were false, because at that time Doronina was not even in the country.
Anastasia Georgievskaya was 75 years old, she was buried at the Kuntsevo cemetery. And only in 2009 on the grave of the actress the administration of the theater erected a monument with the inscription: “Great Moscow Art Theater Georgievskaya Anastasia Pavlovna. Everlasting memory.
More than 45 years have passed since the filming of Alexei Korenev's film "Big Change", but it still does not lose popularity and is deservedly considered a classic of Soviet cinema. Today it is difficult to imagine other actors starring and after all, almost all the characters were originally supposed to be played not by those whom the audience saw on the screens. And the filming process itself was very difficult.
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