What's left behind the scenes of your favorite comedies: Leonid Gaidai on the set (20 photos)
What's left behind the scenes of your favorite comedies: Leonid Gaidai on the set (20 photos)

Video: What's left behind the scenes of your favorite comedies: Leonid Gaidai on the set (20 photos)

Video: What's left behind the scenes of your favorite comedies: Leonid Gaidai on the set (20 photos)
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The phenomenon of comedies by Leonid Gaidai lies in the fact that they do not seem to become outdated, but as if they become even better over time. All of his films bear the imprint of a unique directorial style. The actors who starred with Leonid Iovich remember how carefully he treated the little things. So, for example, a unique “family gesture” was invented for each hero, by which his whole essence became immediately visible. Most often Gaidai showed the necessary movements in front of the camera himself. In this review, photographs of rehearsals and filming of your favorite folk comedies.

The director is in command of the archers (Ivan Vasilyevich changes his profession)
The director is in command of the archers (Ivan Vasilyevich changes his profession)
Leonid Gaidai and Natalia Selezneva (Ivan Vasilievich changes profession)
Leonid Gaidai and Natalia Selezneva (Ivan Vasilievich changes profession)
Filming of the legendary song about Marusya (Ivan Vasilyevich changes his profession)
Filming of the legendary song about Marusya (Ivan Vasilyevich changes his profession)
Gaidai and Leonid Kuravlev on the set (Ivan Vasilyevich changes his profession)
Gaidai and Leonid Kuravlev on the set (Ivan Vasilyevich changes his profession)
Scene rehearsal with Oleg Dal and Svetlana Kryuchkova (Can't be!)
Scene rehearsal with Oleg Dal and Svetlana Kryuchkova (Can't be!)
Leonid Gaidai and the famous trinity (Operation Y and other adventures of Shurik)
Leonid Gaidai and the famous trinity (Operation Y and other adventures of Shurik)
The script with notes by Leonid Gaidai usually became twice as thick
The script with notes by Leonid Gaidai usually became twice as thick
The director shows exactly how to pull Nikulin's hand (Diamond Hand)
The director shows exactly how to pull Nikulin's hand (Diamond Hand)
Leonid Gaidai and Yuri Nikulin (Prisoner of the Caucasus)
Leonid Gaidai and Yuri Nikulin (Prisoner of the Caucasus)
- Kisa, tell me as an artist to an artist, do you know how to draw? (12 chairs)
- Kisa, tell me as an artist to an artist, do you know how to draw? (12 chairs)
Leonid Gaidai and Yuri Yakovlev (Ivan Vasilievich changes profession)
Leonid Gaidai and Yuri Yakovlev (Ivan Vasilievich changes profession)
Leonid Gaidai and Natalia Kustinskaya (Ivan Vasilievich changes profession)
Leonid Gaidai and Natalia Kustinskaya (Ivan Vasilievich changes profession)
In between filming the Caucasian captive
In between filming the Caucasian captive
On the set of the movie The Diamond Arm
On the set of the movie The Diamond Arm
Scene in the restaurant Weeping Willow (Diamond Arm)
Scene in the restaurant Weeping Willow (Diamond Arm)
This scene will become one of the most daring for the Soviet cinema of those times (The Diamond Arm)
This scene will become one of the most daring for the Soviet cinema of those times (The Diamond Arm)
Filming the chase (Prisoner of the Caucasus)
Filming the chase (Prisoner of the Caucasus)
Yuri Nikulin and Natalya Varley (Prisoner of the Caucasus)
Yuri Nikulin and Natalya Varley (Prisoner of the Caucasus)
Banquet to mark the end of the filming of the film Ivan Vasilyevich changes his profession
Banquet to mark the end of the filming of the film Ivan Vasilyevich changes his profession

During the unforgettable Soviet censorship, making a film was only half the battle. After that, each tape was reviewed by a strict commission, which delivered its own verdict and could ban the picture. Some cult Soviet films reached the audience only thanks to Brezhnev.

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