"Without a dream nothing can be done in life": how the most magical cycle of paintings by Vasnetsov appeared "The Poem of Seven Tales"
"Without a dream nothing can be done in life": how the most magical cycle of paintings by Vasnetsov appeared "The Poem of Seven Tales"

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V. Vasnetsov. Sleeping princess, 1900-1926. Fragment
V. Vasnetsov. Sleeping princess, 1900-1926. Fragment

Probably none of the Russian artists of the turn of the XIX-XX centuries. did not cause such controversial reviews about his work as Viktor Vasnetsov: he was either admired and called a true folk artist, or accused of "retrograde and obscurantism." In 1905, he renounced the title of professor at the Academy of Arts in protest against the students' enthusiasm for politics rather than painting. During the revolutionary years Vasnetsov created his most magical series of paintings "Poem of Seven Tales" … In it, he tried to capture the lost old Russia, the person of which he considered himself.

V. Vasnetsov. The frog princess, 1901-1918
V. Vasnetsov. The frog princess, 1901-1918

Viktor Vasnetsov was born into the family of a village priest in the Vyatka province, he grew up in a peasant environment and from childhood was immersed in the atmosphere of the primordial Russian folk culture. His first drawings were illustrations for proverbs. Folklore for him was the embodiment of the true essence and spiritual image of the entire people. “I have always been convinced that fairy tales, songs, epics reflect the whole whole image of the people, internal and external, with the past and the present, and maybe the future,” said the artist.

V. Vasnetsov. Princess Nesmeyana, 1916-1926
V. Vasnetsov. Princess Nesmeyana, 1916-1926
V. Vasnetsov. Flying carpet, 1919-1926
V. Vasnetsov. Flying carpet, 1919-1926

Back in the 1860s. there was a surge of interest in folklore both in science and in art: it was during this period that fundamental historical research appeared, collections of works of oral folklore were published. Repin, Maksimov, Surikov wrote on historical themes, but Vasnetsov was the first among artists to turn to epic and fairy-tale themes. He created a whole series of works about "old Russia", which he contrasted in the revolutionary years to modern Russia, which he called "non-Rus", with a small letter.

V. Vasnetsov. Sivka-burka, 1919-1926
V. Vasnetsov. Sivka-burka, 1919-1926

The painter turned to the folk epic in the 1880s, and from 1900 until the end of his days (especially intensively in 1917-1918) Vasnetsov worked on the cycle of paintings "Poem of Seven Tales". It includes 7 canvases: "The Sleeping Princess", "Baba Yaga", "The Frog Princess", "Kashchei the Immortal", "Princess Nesmeyana", "Sivka Burka" and "Airplane Carpet". In these fabulous plots, the artist was looking for the embodiment of the main features of the national character of his people, among which he singled out spiritual purity, courage and patriotism.

V. Vasnetsov. Baba Yaga, 1917
V. Vasnetsov. Baba Yaga, 1917

Vasnetsov's fairy-tale works were for him not an illustration of oral folk art, but "an act of poetic insight into the core of life, closed from people by the veil of reality." The artist did not accept the revolution and suffered as he watched the "old Russia" irrevocably disappear. Fairy tales were a kind of internal emigration for him. He poeticized antiquity, saw in it an ideal, the existence of which, in his opinion, had been forgotten by his contemporaries. Meanwhile, art magazines called Vasnetsov "a dilapidated retrograde and obscurantist."

V. Vasnetsov. Kashchei the Immortal, 1917-1926
V. Vasnetsov. Kashchei the Immortal, 1917-1926

Contemporary critics find in The Poem of Seven Fairy Tales notes of anxiety for Russia and its future. For example, the artist interpreted the fairy tale plot of The Sleeping Princess in a new way, hinting at the events of his contemporary reality. The girl sleeps on the Pigeon Book, famous for its prophetic predictions. And in this context, the image of the "sleeping princess" looks like a metaphor for the Russian state. Many critics agree that the main heroine of the "Poem of Seven Tales" is Russia - intoxicated and bewitched. And all its inhabitants fell asleep and do not know what is happening around.

House-Museum of V. Vasnetsov in Moscow
House-Museum of V. Vasnetsov in Moscow

He wrote "The Poem of Seven Tales" not to order, but for himself, it was his outlet and a way to isolate himself from the outside world. All the paintings have remained in the artist's studio, in his Moscow house, which resembles an old Russian tower (the people called it that - "little tower"). This house was built according to his sketches, F. Chaliapin said that it was "a cross between a peasant hut and an ancient princely mansion." In 1953, the Vasnetsov House-Museum was opened here. In addition to paintings and drawings, there is a collection of ancient objects and icons, which the artist collected all his life.

In the house-museum of V. Vasnetsov in Moscow
In the house-museum of V. Vasnetsov in Moscow
In the house-museum of V. Vasnetsov in Moscow
In the house-museum of V. Vasnetsov in Moscow

"Without poetry, without a dream, nothing can be done in life," the artist argued and embodied this principle in his work. His canvases are symbolic and contain many secrets. Vasnetsov's "heroes": who the artist actually portrayed in the famous painting.

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