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Russian bone lace: How Kholmogory masters created their masterpieces
Russian bone lace: How Kholmogory masters created their masterpieces

Video: Russian bone lace: How Kholmogory masters created their masterpieces

Video: Russian bone lace: How Kholmogory masters created their masterpieces
Video: Гараж (4К, комедия, реж. Эльдар Рязанов, 1979 г.) - YouTube 2024, May
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Of course, Chinese craftsmen are considered unsurpassed masters of bone carving, because in the Celestial Empire they have been engaged in this craft for more than one thousand years. But Russia also had and still has many talented carvers. The Kholmogory bone carving school has a particularly rich and glorious history. The museums of the world keep magnificent examples of caskets, caskets, miniature cabinets, made in the technique of openwork Kholmogory bone carving.

In the Far North, bone carving has long been a traditional craft for these places. And this is not surprising - because here residents in large quantities catch not only fish, but also walrus tusks, here called "fish tooth". It also happened that fossil mammoths were found. Both walrus and mammoth bones are excellent materials for carving. Walrus bone is very beautiful - it has either white or yellowish color, its structure is heterogeneous. As for the mammoth bone, it is a unique and very durable material. Over thousands of years, as a result of mineralization, tusks acquire a variety of shades - they can be orange, pink, purple …

Carvers from Kholmogory were especially famous for their skill. The settlement, which arose in the XIV century on the banks of the Northern Dvina, is considered the birthplace of this ancient craft.

Kholmogory
Kholmogory

Kholmogory carvers mastered and masterly mastered a variety of techniques for working with bone - engraving with staining, relief and openwork carving …

Contour carving or bone engraving
Contour carving or bone engraving

Engraving is used when you want to achieve an impressive effect, while preserving the natural beauty of the material used. It is mainly used on walrus tusks and sperm whale teeth.

Openwork carving
Openwork carving
Traditional Kholmogory curl
Traditional Kholmogory curl

Kholmogory icons

Most of them belong to the XVIII - early. XIX centuries. The icons were made with great skill, the delicate and expressive relief carving in the depiction of saints is especially impressive.

Icon "Demetrius, Metropolitan of Rostov" Arkhangelsk province Mid-18th century Mammoth tusk Relief carving, engraving. Gim
Icon "Demetrius, Metropolitan of Rostov" Arkhangelsk province Mid-18th century Mammoth tusk Relief carving, engraving. Gim

And this is a rare and one of the most valuable icons, "The Transfiguration of the Lord." Its frame is very beautiful, made in the form of ribbons and rocailles (an element of the rococo style ornament, similar to the curl of a shell).

Icon "Transfiguration of the Lord"
Icon "Transfiguration of the Lord"
Icon "The Last Supper"
Icon "The Last Supper"
Carver Bobretsov Mikhail Nikitich Icon "The Crucifixion with the Forthcoming" Arkhangelsk Province Second half of the 19th century Walrus tusk, bone, wood, fabric, paper Relief, openwork carving, engraving. Gim
Carver Bobretsov Mikhail Nikitich Icon "The Crucifixion with the Forthcoming" Arkhangelsk Province Second half of the 19th century Walrus tusk, bone, wood, fabric, paper Relief, openwork carving, engraving. Gim
Icon "Resurrection", second half of the 18th century The work of the Kholmogory master Bone, wood, mica, openwork carving, relief carving, color engraving
Icon "Resurrection", second half of the 18th century The work of the Kholmogory master Bone, wood, mica, openwork carving, relief carving, color engraving
Icon "Resurrection", the first half of the 19th century The work of the Kholmogory master Bone, wood, fabric, openwork carving, relief carving
Icon "Resurrection", the first half of the 19th century The work of the Kholmogory master Bone, wood, fabric, openwork carving, relief carving
Icon "Resurrection and 12 Holidays" Arkhangelsk province Second half of the 18th century Mammoth tusk, ebony, wood Openwork, relief carving. Gim
Icon "Resurrection and 12 Holidays" Arkhangelsk province Second half of the 18th century Mammoth tusk, ebony, wood Openwork, relief carving. Gim

Portraits and sculptural compositions

Portraits of Grand Duke Pavel Petrovich and Grand Duchess Maria Feodorovna Arkhangelsk province. 1776-1780s Mammoth tusk, wood, mica, paper Embossed, openwork carving, painting
Portraits of Grand Duke Pavel Petrovich and Grand Duchess Maria Feodorovna Arkhangelsk province. 1776-1780s Mammoth tusk, wood, mica, paper Embossed, openwork carving, painting
Portrait of Empress Catherine II Arkhangelsk province. 1760s Mammoth tusk, wood, leather, metal Openwork, relief carving, engraving. Gim
Portrait of Empress Catherine II Arkhangelsk province. 1760s Mammoth tusk, wood, leather, metal Openwork, relief carving, engraving. Gim

To give more solemnity to the portrait, the carver placed it in a magnificent frame of numerous Kholmogory curls.

Many young masters dreamed of surprising everyone with their skill, cutting out something extraordinary, something that no one had done before. Once, two brothers once boasted that they would be able to cut out images of all Russian tsars. At that time, the ability to carve portraits was considered the highest degree of skill. And what? A few years later, they were able to fulfill what they promised - 61 portraits of rulers, from the Rurik to Elizabeth, were carved on the decorative plate.

Carver Shubny Yakov Ivanovich Decorative plate "Genealogy" of Kholmogory. 1774. Walrus bone, wood, fabric Openwork, relief carving, color engraving. Gim
Carver Shubny Yakov Ivanovich Decorative plate "Genealogy" of Kholmogory. 1774. Walrus bone, wood, fabric Openwork, relief carving, color engraving. Gim
Sculpture "Peter I - the winner of the Swedes". 1780-1790s Mammoth tusk, ebony, wood, fabric Volumetric, relief, turning carving, engraving. Gim
Sculpture "Peter I - the winner of the Swedes". 1780-1790s Mammoth tusk, ebony, wood, fabric Volumetric, relief, turning carving, engraving. Gim
Equestrian sculpture of Peter the Great
Equestrian sculpture of Peter the Great

Walrus and mammoth bones are excellent materials for making chess: Russian craftsmen have carved them since the 17th century.

Chess. Walrus bone. Volumetric carving, engraving, painting. Gim
Chess. Walrus bone. Volumetric carving, engraving, painting. Gim
Chess. Arkhangelsk province, XVIII century. Mammoth tusk, Walrus bone Turning, relief carving, color engraving
Chess. Arkhangelsk province, XVIII century. Mammoth tusk, Walrus bone Turning, relief carving, color engraving

Caskets

Casket. Unknown carver from the Sheshenin family (?). Moscow. Armory (?) Late 17th century Mammoth tusk. Openwork, relief carving. Gim
Casket. Unknown carver from the Sheshenin family (?). Moscow. Armory (?) Late 17th century Mammoth tusk. Openwork, relief carving. Gim

The casket is assembled from separate bone plates.

Casket-headrest Arkhangelsk province. 18th century Wood, mammoth tusk, walrus tusk, paper Relief carving, color engraving, painting
Casket-headrest Arkhangelsk province. 18th century Wood, mammoth tusk, walrus tusk, paper Relief carving, color engraving, painting
Casket-teremok Unknown carver. Moscow (?). 1718-1725. Mammoth tusk, metal. Relief carving, engraving. 17x13x11, 5. State Historical Museum
Casket-teremok Unknown carver. Moscow (?). 1718-1725. Mammoth tusk, metal. Relief carving, engraving. 17x13x11, 5. State Historical Museum
Wedding casket-teremok Arkhangelsk province. 1780s Mammoth tusk, walrus tusk, whalebone, wood, mica, paper Openwork carving, color engraving, painting. Gim
Wedding casket-teremok Arkhangelsk province. 1780s Mammoth tusk, walrus tusk, whalebone, wood, mica, paper Openwork carving, color engraving, painting. Gim
Casket-teremok wedding Russian North. 1770-1780s. Wood, walrus tusk, fabric, silver, paper. Openwork, relief, turning carving, engraving. Gim
Casket-teremok wedding Russian North. 1770-1780s. Wood, walrus tusk, fabric, silver, paper. Openwork, relief, turning carving, engraving. Gim
Boxes "Trial of King Solomon", "Smokers", "Box-shoe", "Box-egg". Second half of the 18th century Walrus tusk, Openwork, relief carving, engraving
Boxes "Trial of King Solomon", "Smokers", "Box-shoe", "Box-egg". Second half of the 18th century Walrus tusk, Openwork, relief carving, engraving

Desktop cabinets

They resemble secretaires in shape, with many drawers, but without a table top.

Desktop cabinets
Desktop cabinets
Desktop cabinet ser. XVIII century
Desktop cabinet ser. XVIII century
Table cabinet-podchasnik VVIII century walrus bone
Table cabinet-podchasnik VVIII century walrus bone
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Late 18th - early 19th century

At the turn of the 18th-19th centuries, masters finally unleash their imagination: bizarre ornaments, portraits, genre compositions consisting of several figures emerge from under their chisel.

Box for needlework St. Petersburg (?). End of the 18th century Walrus tusk, wood, fabric, foil, metal. Turning, openwork, relief carving. Gim
Box for needlework St. Petersburg (?). End of the 18th century Walrus tusk, wood, fabric, foil, metal. Turning, openwork, relief carving. Gim
Ink set with monograms "MZ" "YZ" St. Petersburg Late 18th - early 19th century. Walrus tusk, wood, foil, paper. Turning, openwork, volumetric carving. Gim
Ink set with monograms "MZ" "YZ" St. Petersburg Late 18th - early 19th century. Walrus tusk, wood, foil, paper. Turning, openwork, volumetric carving. Gim
Monument to Minin and Pozharsky. Table sculpture. The work of A. Korzhavin. Early 19th century
Monument to Minin and Pozharsky. Table sculpture. The work of A. Korzhavin. Early 19th century

19th century

Classicism, a new style of the beginning of the 19th century, could not but be reflected in the works of the Kholmogory masters - they become more strict and laconic in form, and their ornament - more miniature. It was then that the work of the Kholmogory carvers began to be called jewelry.

Toilet box cover. First quarter of the 19th century. Kholmogory of the Arkhangelsk province. Bone, wood, paper. Carving, engraving. Russian Museum
Toilet box cover. First quarter of the 19th century. Kholmogory of the Arkhangelsk province. Bone, wood, paper. Carving, engraving. Russian Museum
Fan. Second half of the 19th century
Fan. Second half of the 19th century
Chain of the Order of St. Andrew the First-Called. 21 openwork medallion. Arkhangelsk (?). 1819 (?) Walrus tusk Openwork, relief carving, engraving. Gim
Chain of the Order of St. Andrew the First-Called. 21 openwork medallion. Arkhangelsk (?). 1819 (?) Walrus tusk Openwork, relief carving, engraving. Gim
Painting "Farewell to Emperor Alexander I" Arkhangelsk province Second quarter of the 19th century Walrus tusk, wood, foil, fabric, paper Embossed, openwork, lathe carving, engraving, painting. Gim
Painting "Farewell to Emperor Alexander I" Arkhangelsk province Second quarter of the 19th century Walrus tusk, wood, foil, fabric, paper Embossed, openwork, lathe carving, engraving, painting. Gim

Although the creators of all these masterpieces, virtuosos of their craft, most often remained unknown to us, history has preserved several names.

Brothers Sheshenin

In the written documents of the 17th century concerning the Kholmogory carvers, it is recorded that the local craftsmen, the Sheshenin brothers, were summoned to Moscow by the tsar himself to work in the Armory. They were instructed to restore the royal bone throne of Ivan III, which was made by Greek craftsmen in the 15th century. The Pomor brothers did not disappoint, they coped with the work - they restored the throne. You can still look at their magnificent work - this ancient throne is in the Armory Chamber of the Moscow Kremlin.

Bone throne. Armouries
Bone throne. Armouries

The Sheshenins remained to work in the capital, and they were revered there as the best bone cutters.

Dudin Osip Khristoforovich

Born in the Arkhangelsk province into a simple peasant family, there are now two of his carved mugs, made in the 70s of the 18th century, in museums. On them Dudin carved relief portraits of Russian tsars and princes. One of them, 1774 - 1775 rr., Is kept in the Hermitage. Fifty-eight are located on its surface against the background of fine openwork carving in four rows! portraits (from Rurik to Catherine II). The portraits also adorn the surface of the lid, which is crowned with images of the symbols of power - the crown and orb. The base of the mug is made of horn in a contrasting dark color.

Dudin O. Kh. Mug with 58 portraits. 1774-1775. Carved bone State Hermitage
Dudin O. Kh. Mug with 58 portraits. 1774-1775. Carved bone State Hermitage
An ivory mug with carved portraits of the Highest Persons, located in the monastery sacristy, Solovetsky Monastery, by master O. Dudin
An ivory mug with carved portraits of the Highest Persons, located in the monastery sacristy, Solovetsky Monastery, by master O. Dudin
Bone goblets with lids, Workshop of O. Kh. Dudin: Goblet with a portrait of Empress Elizabeth St. Petersburg (?). 1759-1760 Mammoth tusk Turning, relief carving, engraving; Cup with portraits of Grand Duke Pavel Petrovich, Grand Duchess Maria Feodorovna and Empress Catherine II St. Petersburg. 1776 (?) Mammoth tusk Turning, openwork, volumetric, relief carving, coloring. Gim
Bone goblets with lids, Workshop of O. Kh. Dudin: Goblet with a portrait of Empress Elizabeth St. Petersburg (?). 1759-1760 Mammoth tusk Turning, relief carving, engraving; Cup with portraits of Grand Duke Pavel Petrovich, Grand Duchess Maria Feodorovna and Empress Catherine II St. Petersburg. 1776 (?) Mammoth tusk Turning, openwork, volumetric, relief carving, coloring. Gim

Vereshchagin Nikolay Stepanovich

One of the most famous masters of the late 18th - early 19th centuries was Nikolai Stepanovich Vereshchagin. Several of his masterpieces have survived - decorative vases, which are now kept in the Hermitage.

Vereshchagin's workshop, Vase "Seasons" Arkhangelsk, 1790s. Ivory (?), Wood, silk Turning, openwork, relief carving
Vereshchagin's workshop, Vase "Seasons" Arkhangelsk, 1790s. Ivory (?), Wood, silk Turning, openwork, relief carving
Vereshchagin N. S. Vase. 1798. Carved bone State Hermitage
Vereshchagin N. S. Vase. 1798. Carved bone State Hermitage

And in conclusion - some magnificent works of modern Kholmogory master carvers:

Guryev Alexander Stepanovich Box-turnip. 1978 Bone Openwork carving Vase "Curl". 1980 Bone Openwork carving Lomonosov Museum
Guryev Alexander Stepanovich Box-turnip. 1978 Bone Openwork carving Vase "Curl". 1980 Bone Openwork carving Lomonosov Museum
Osipov Gennady Fedorovich, Honored Artist of the Russian Federation1995 Mammoth Tusk. Openwork carving Box "Bird". 1995 Mammoth tusk Openwork, relief, volumetric carving Toilet box "Birds". 2001 Bone, walrus tusk. Openwork carving Knife "Fantasy". 2003 Bone. Openwork, embossed carving Norkin Valery Vladimirovich Knife for cutting paper. 2002 Bone Openwork, relief carving
Osipov Gennady Fedorovich, Honored Artist of the Russian Federation1995 Mammoth Tusk. Openwork carving Box "Bird". 1995 Mammoth tusk Openwork, relief, volumetric carving Toilet box "Birds". 2001 Bone, walrus tusk. Openwork carving Knife "Fantasy". 2003 Bone. Openwork, embossed carving Norkin Valery Vladimirovich Knife for cutting paper. 2002 Bone Openwork, relief carving
Vitaly Prosvirin, Honored Artist of the Russian Federation Vase "Rowan". 1982 Tooth of the sperm whale Openwork, relief carving Vase "Duck Hunter". 1987 Tooth of a sperm whale Openwork, relief, volumetric carving Sculpture "The Hunt for a Bear"
Vitaly Prosvirin, Honored Artist of the Russian Federation Vase "Rowan". 1982 Tooth of the sperm whale Openwork, relief carving Vase "Duck Hunter". 1987 Tooth of a sperm whale Openwork, relief, volumetric carving Sculpture "The Hunt for a Bear"

A wonderful trade is alive!

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