Magnificent illustrations by Marc Aspinall for The New Yorker
Magnificent illustrations by Marc Aspinall for The New Yorker

Video: Magnificent illustrations by Marc Aspinall for The New Yorker

Video: Magnificent illustrations by Marc Aspinall for The New Yorker
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Sherlock (detail). Mark Aspinall for The New Yorker
Sherlock (detail). Mark Aspinall for The New Yorker

Marc Aspinall, aka The Tree House Press, is a brilliant illustrator from the UK. His works are distinguished by rich textures, excellent color processing and lively dynamism. Mark's style is reminiscent of the work of artists of the mid-twentieth century, the golden age of modern illustration.

Illustration for the review of the Coen brothers' film Inside Llewyn Davis
Illustration for the review of the Coen brothers' film Inside Llewyn Davis

Aspinall is an honored professional in his field. Over the years, he has completed numerous commissions (mostly editorial illustrations) for eminent clients such as Monocle, The New York Times and GQ. His illustrations for The New Yorker revolve around contemporary popular culture and can serve as an emblem for everything that Mark does.

Illustrations for the TV series "Masters of Sex"
Illustrations for the TV series "Masters of Sex"
Murder on the Beach by Mark Aspinall for The New Yorker
Murder on the Beach by Mark Aspinall for The New Yorker

Whether he's illustrating an article about the return to TV screens of everyone's favorite Sherlock or the latest work of the Coen brothers, the images are warm, atmospheric and a little old-fashioned in the best sense of the word. A pleasant alternative to the ubiquitous acidic computer aesthetics of the last decade.

Sherlock. Mark Aspinall for The New Yorker
Sherlock. Mark Aspinall for The New Yorker

When illustrations have a painterly quality, they usually benefit from it. And sometimes commercial illustration over time completely turns into painting, as happened with the American colleague of Mark Sterling Hundley (Sterling Clinton Hundley).

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