Table of contents:
- Erast Garin
- Boris Novikov
- Sergey Filippov
- Borislav Brondukov
- Zinovy Gerdt
- Lev Perfilov
- Nikolay Parfyonov
- Gottlieb Roninson
- Nikolay Prokopovich
- Roman Filippov
Video: 10 wonderful Soviet actors who proudly carried the title of King of the episode
2024 Author: Richard Flannagan | [email protected]. Last modified: 2023-12-15 23:55
Many actors dream of big roles, thanks to which they can become famous and recognizable. However, real professionals are able to play even a tiny role in such a way as to remain a real star in the memory of the audience. They are called the real kings of the episode for a reason. Appearing on the screen for only a few seconds, they sometimes outshine even the main characters. In our today's review, we propose to recall the Soviet actors who shone in the episodes.
Erast Garin
He was a real master of reincarnation, who gained fame, first of all, as a theater actor. Playing small roles in films, he was able to vividly and accurately display the character of his hero, showing the viewer his strengths and weaknesses. It is impossible to forget Erast Garin as Professor Maltsev in "Gentlemen of Fortune" or in the image of the King from the amazing fairy tale "Cinderella". If you review the entire filmography of the actor, numbering 40 roles, then you can note almost every work of this talent. However, Erast Garin not only played in theater and cinema, he staged performances himself, acted as a director and screenwriter in cinema.
READ ALSO: Broken fate of the star of "Gentlemen of Fortune" and "Cinderella": Why did they say that Erast Garin died of melancholy >>
Boris Novikov
His filmography includes more than 150 works, but there is not a single leading role among them. Moreover, his every appearance on the screen was unforgettable, whether it was Mitka Korshunov in Sergei Gerasimov's film Quiet Flows the Don, Isaac Liberson in His Excellency's Adjutant, or the bandit Cartilage in the children's film On the Count's Ruins. Boris Novikov excellently played negative characters and could show the drama of his hero on the screen for several minutes. He starred a lot for the satirical magazine "Fit", and also voiced cartoons. It is in his voice that the postman Pechkin speaks in the trilogy Prostokvashino and Kurochkin from Vasya Kurolesov.
READ ALSO: Unknown roles of famous actors: Who gave his voice to the heroes of Soviet cartoons, while remaining unrecognized >>
Sergey Filippov
This wonderful actor first appeared on the screens in the role of a White Finn in the film "For the Soviet Motherland" back in 1937. In his extensive filmography there are many excellent works, he excellently played both the main and secondary roles. And in each one can note the unsurpassed skill of the great talent. The role of the lecturer Nekadilov in Carnival Night, the Swedish ambassador in the comedy Ivan Vasilyevich Changes His Profession, Kazimir Almazov in The Tiger Tamer made him the real king of the episode. However, each work of Sergei Filippov became a real event, because he was looking for a character in each of his characters, and then unmistakably embodied it on the screen.
READ ALSO: Why the famous actor Sergei Filippov for many years refused to communicate with his own son >>
Borislav Brondukov
Borislav Nikolaevich played many leading roles in the cinema. However, he was considered the master of the episode, capaciously and accurately conveying the images of his characters. His work in the film "Afonya" became a real classic, and the phrases said by the loader Fedulov were diverted into quotes. He played every role in full force, giving all the best. The hero-groom in Eldar Ryazanov's tragicomedy "Garage", a passer-by in "Autumn Marathon", the jailer in the film "Say a Word about the Poor Hussar", the director of the camp site in "Sportloto-82" - all these films became an example of the unsurpassed talent of an amazing actor.
READ ALSO: The tragic fate of a comedian: Why, in his declining years, Borislav Brondukov was left without a livelihood >>
Zinovy Gerdt
The career in the cinema of the popular favorite began quite late: he first appeared in an episode of the film "Man from Planet Earth" in 1958, when Zinovy Gerdt was already 42 years old. But the actor himself believed that his real debut took place even later, in 1962, when Zinovy Gerdt starred in Seven Nurses by Rolan Bykov. He never played clearly according to the script, but endowed each of his characters with a character invented by him, brought his own perception and meaning into the image. Surprisingly, the main roles for Zyama, as he was lovingly called not only by close people, but also by the audience, were very few. However, each of his works became an event, and his appearance on the screen became a masterpiece. It is worth remembering his Michal Mikhalych in "The Meeting Place Cannot Be Changed", a man in a plaid coat in "Taimyr Summons You", a gravedigger from the movie "Three in a Boat, Excluding a Dog" or a parrot seller in the film "Say a Word about the Poor Hussar" to to understand the full depth of the extraordinary talent of the great actor.
READ ALSO: Zinovy Gerdt and Tatyana Pravdina: "Girl, how bad it will be for you without me!" >>
Lev Perfilov
The actor played a lot of roles in the cinema, masterfully embodying negative images on the screen, on which it was interesting to work for Lev Perfilov himself. At the same time, the actor was compared to a sparkling diamond, which is beautiful from any side. Lev Perfilov's multifaceted talent was in demand, and the audience fell in love with his characters from Captain Nemo and Meeting Places Cannot Be Changed, The Old Fortress and the film The Cyclone Begins at Night. However, in the filmography of Lev Perfilov there are more than 120 works, each of which can be called significant.
Nikolay Parfyonov
The track record of this amazing actor includes many years of work on the theater stage, filming in the film magazines "Fit" and "Yeralash", and even more than 130 roles in films. Nikolai Parfyonov studied not only with his colleagues on the stage. But also with ordinary people with whom he met every day. He noted characteristic features, memorized and then brilliantly portrayed them in his characters. The head of the train in “The Wizards” and Trofimov in the film “Don't go, girls, get married”, the head of the city committee in the film “Seven Old Men and One Girl” and many more memorable, vivid roles made Nikolai Parfyonov a truly popular favorite.
READ ALSO: Leonid Parfyonov and Elena Chekalova: The traditional way to a man's heart and years of bright happiness >>
Gottlieb Roninson
His talent as a comedian was discovered, in fact, by Eldar Ryazanov. Although Gottlieb Roninson played many striking character roles in the theater, the actor's real triumph was his appearance on the screens. His amazing work in Ryazanov's films "Beware of the Car", "Zigzag of Fortune", "Old Robbers", "Say a Word about the Poor Hussar", "Irony of Fate, or Enjoy Your Bath" made not only the audience pay attention to the actor, but also other directors.
READ ALSO: Gottlieb Roninson's 75 Years of Solitude: The Tragic Fate of a Comedian >>
Nikolay Prokopovich
From the very beginning of his film career, the successful theater actor has demonstrated to the audience the incredible ease of conveying the images of his characters. He brilliantly played Himmler in the film "Seventeen Moments of Spring", Mymrikov in the film "The Incorrigible Liar" and many more different characters. In his filmography there are more than 50 very different roles that make viewers admire the great talent of Nikolai Prokopovich.
Roman Filippov
It is difficult to list all the roles of Roman Filippov in theater and cinema, but it was impossible not to remember him. He skillfully transformed within a few minutes from a rude and badass in a good-natured "his boyfriend" in "Diamond Hand", and from an authoritative repeat offender in a frightened prisoner in "Gentlemen of Fortune". However, in each of his roles, Sergei Filippov was truly inimitable.
These actresses were called the queens of the episode - appearing on screens for only a few minutes, they sometimes overshadowed the main characters and were immediately remembered by the audience. But almost all of them felt unhappy because the directors did not give them the opportunity to realize their creative potential to the fullest. And this often led to tragedies.
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