What's wrong with my head? Kohsin Hong's watercolors
What's wrong with my head? Kohsin Hong's watercolors

Video: What's wrong with my head? Kohsin Hong's watercolors

Video: What's wrong with my head? Kohsin Hong's watercolors
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What's wrong with my head? Kohsin Hong's watercolors
What's wrong with my head? Kohsin Hong's watercolors

Artist Ko-Hsin Hong was born in Taiwan but moved to live in Canada. As a child, she dreamed most of the time and, as they say, slept in reality. Until I realized that fantasies can be brought to life - at least with the help of watercolor drawings. Ko-Hsin Hong's work is not only a literal realization of worn-out metaphors of "seething with rage" or "losing my temper." Her watercolor drawings are a surreal world in which people lose their heads in a variety of ways: heads melt, lose their own boundaries, fall into a smokescreen. Are there still people with clear consciousness left in this world?

Boiling point. Kohsin Hong's watercolors
Boiling point. Kohsin Hong's watercolors

Ko Hsin Hong is a Toronto-based freelance illustrator with a passion for television and artistic experimentation. In watercolors, she combines muted tones and bright ideas. In the manner of execution, the artist's paintings are more like children's drawings. But it is worth taking a closer look at what is happening in these watercolors, and doubts at a more mature age of the author dissipate.

Ko-Hsin Hong's watercolors: eyes run wide
Ko-Hsin Hong's watercolors: eyes run wide

Ko-Hsin Hong cares about what happens to people. Who among them can boast that his head is still in order in our crazy, crazy world?

A stream of slurred speech. Kohsin Hong's watercolors
A stream of slurred speech. Kohsin Hong's watercolors

The painting "Zero Visibility" is especially indicative in this regard. One character has gone headlong into the virtual world, and all that remains of him is an emoticon on the laptop lid. Another is clearly not smoking simple tobacco, since his head has dissolved in a cloud of multi-colored smoke (consciousness is clouded). The third is hiding behind a sports fan's foam glove. Great company, isn't it?

Zero visibility. Kohsin Hong's watercolors
Zero visibility. Kohsin Hong's watercolors

It is not easier with characters from other paintings. The brain boils, eyes run up, anger pours out in a stream - not consciousness, not even words, but inarticulate sounds. And the people who intertwined under the table with their feet like tentacles (the female limb really looks very much like a tentacle) did not deserve to show their heads at all: they have all the most interesting things under the table.

Plexus of arms and legs. Kohsin Hong's watercolors
Plexus of arms and legs. Kohsin Hong's watercolors

Alas, the prognosis of the talented artist is pessimistic: human heads are too tender and vulnerable for the surreal world in which we live, and therefore suffer first.

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