World landmarks from Christina Layen's paper cities
World landmarks from Christina Layen's paper cities

Video: World landmarks from Christina Layen's paper cities

Video: World landmarks from Christina Layen's paper cities
Video: RUMBLE | Stale Sandbech & Torgeir Bergrem - YouTube 2024, November
Anonim
World landmarks from Christina Layen's paper cities
World landmarks from Christina Layen's paper cities

American Christina Layen is an architect by profession, but she does not design future houses from concrete and brick, but cuts them out of paper. This material allows the architect to donate the second Eiffel Tower, the Uffizzi Gallery and the Taj Mahal to the world. And by the way, paper cities are growing by leaps and bounds, much faster than real ones.

World landmarks from paper cities: Taj Mahal
World landmarks from paper cities: Taj Mahal

American architect Christina Lihan graduated from the University of Virginia, studied and worked in New York, San Francisco, London, Paris, traveled to Italy. But most of all, her trip to Czechoslovakia influenced her and her future paper art.

World landmarks from paper cities: Uffizzi Gallery
World landmarks from paper cities: Uffizzi Gallery

In Czechoslovakia, the architect became closely acquainted with the faceless identical "boxes" of which the local "Third Streets of Builders" in new districts consisted. After that, Christina Layen began to appreciate the old buildings in historic centers much more - including paper cities.

World landmarks from paper cities: the George Washington Bridge (New York)
World landmarks from paper cities: the George Washington Bridge (New York)

The constant movement from city to city and from country to country is a paradise for an architect looking to gain more experience. This experience helps Christine Layen even now, when she switched to building paper cities.

World Attractions From Paper Cities: The Eiffel Tower
World Attractions From Paper Cities: The Eiffel Tower

Volumetric paper sculptures by Christina Layen are multi-layered and protrude 5-15 centimeters above the surface of the paper. It takes two days of work to create such beauty.

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