Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman

Video: Apocalypse in painting by Ricky Allman

Video: Apocalypse in painting by Ricky Allman
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Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman

So much is happening in each of the paintings by artist Ricky Allman that it is impossible to see everything in a few minutes, you can study them for hours. And every time, looking at fantastic and surreal landscapes, similar to alternate realities, there is a feeling that you are seeing something new that you have not previously noticed. Artist Ricky Allman, as a conductor, leads his orchestra of vivid and excellent forms, mountains and plains that are located in constant collision.

Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman

The artist often paints paintings on apocalyptic themes derived from Mormon theology. Ricky Allman's work raises questions about various contemporary and historical concepts of the apocalypse. Allman creates complex, detailed landscapes, organic forms with geometric structures, using bright colors with dark or dull shadows to heighten contrast and drama.

Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman
Apocalypse in painting by Ricky Allman

Ricky Allman is an American artist and senior lecturer at the University of Missouri, Kansas. He received his BA from the Massachusetts College of Art and his MA from the School of Design in Rhode Island in 2007. Ricky Allman showcases his paintings in galleries across the country, including New York, Los Angeles and Miami.

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