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Which of the students of Rubens continued the success of his famous mentor
Which of the students of Rubens continued the success of his famous mentor

Video: Which of the students of Rubens continued the success of his famous mentor

Video: Which of the students of Rubens continued the success of his famous mentor
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Rubens was undoubtedly a talented and extremely successful artist, whose workshop produced a staggering amount of work. And more importantly, young talented students of the artist, who later became no less successful painters, worked in Rubens' studio. Who are the most famous students of Rubens?

Brilliant mentor

Rubens is a talented painter and charming, attractive man who has been described as "tall, stately, with a well-shaped face, ruddy cheeks, brown hair, sparkling eyes, but with restrained passion and gentle laughter." Once he completed his art studies in Antwerp, he traveled to Italy to be inspired by the great creations of the Renaissance.

Portrait of Rubens
Portrait of Rubens

For eight years he traveled and worked in Spain, copying and implementing techniques from the Renaissance and classical art. A hardworking and disciplined craftsman, he got up at 4 a.m. every day and worked until 5 p.m. After - I went for a walk to keep myself in good physical shape. Interestingly, it was important for Rubens in the process of work that the assistant read him works of classical literature. The Rubens house housed an outstanding collection of precious stones, ancient sculptures and coins, and even an Egyptian mummy became a famous landmark for his dignitaries. In 1609, at the age of 33, he was appointed court painter to the rulers of the Netherlands, Archduke Albert and his wife Isabella. could afford to buy a stately home in the luxurious area of Antwerp. It was said about him that it was a truly luxurious palace, with an exquisitely chosen interior. For example, Rubens introduced a round sculptural hall modeled on the Pantheon into the design of the house.

Rubens House in Antwerp
Rubens House in Antwerp

In addition to building a house, Rubens managed to open his own workshop, which served as a place for the training of students and the work of his assistants. Since Rubens was a truly successful artist, it was difficult for him to complete numerous commissions on his own. Who became the most talented student of Rubens?

Anthony van Dyck

Rubens' most talented student is undoubtedly Anthony van Dyck (1599-1641), who was 22 years younger than his mentor. Van Dijk assisted Rubens in painting animals and still lifes. Van Dijk and Jacob Jordaens adopted the practice of painting by Rubens on invited models (usually in size) for the subsequent use of their images in religious paintings. He began his art education at the age of 10, and at the age of 19 he already had his own workshop. Van Dyck arrived at Rubens' studio in 1616 and worked there for four years. A true child prodigy, van Dijk quickly absorbed Rubens' style - his muscular, graceful physique, sensual interplay of light and color - and genuinely imitated his mentor.

Anthony van Dyck and Rubens
Anthony van Dyck and Rubens

Many legends have survived about the relationship between a brilliant teacher and a brilliant student. Here is one of them: once Rubens' students damaged a freshly painted canvas. One of the boys accidentally fell on the painting, smearing a whole fragment, and begged van Dyck to rewrite this place. The next day, Rubens was surprised for a long time at the liveliness of his, as he thought at first, brush, and when the deception was revealed, he praised his student with no less admiration. Soon van Dijk became Rubens' right-hand man. Van Dyck's brilliant brushwork, graceful arrangement of figures and masterful display of sumptuous draperies made him an even more tech-savvy master than Rubens himself. This temperamental child prodigy with an amazing natural talent learned a lot from Rubens and at the same time became a great master of a completely different style.

Van Dyck's works
Van Dyck's works

Jacob Jordaens

Peter Paul Rubens invited Jordaens to his studio to reproduce small sketches in a larger format. After the death of Rubens, Jordaens became one of the most respected artists in Antwerp. Like Rubens, Jordaens strove for a warm palette, naturalism, using the techniques of qiaroscuro and tenebrism. Jordaens was a skilled portrait painter and succeeded in representing the psychological side of man. His inspired peasant themes and large-scale scenes of the Dutch moralistic genre have influenced many Dutch painters. At the same time, Jordaens used Rubens' motives throughout his career, his work is distinguished by a tendency towards greater realism and a preference for burlesque, even in the context of religious and mythological subjects. The iconic work of Rubens and Jordaens is Prometheus (1640).

Jacob Jordaens and his
Jacob Jordaens and his

Frans Snyders

Frans Snyders (1579 - 1657) was a Flemish painter of animals, hunting scenes, market scenes and still lifes. He was one of the first animal painters to be credited with creating the animalistic genre and new still lifes in Antwerp. Snyders regularly collaborated with leading Antwerp artists, and his work with Rubens began in 1610.

Snyders and Rubens
Snyders and Rubens

In the period 1636-1638, Snyders was one of the Antwerp artists who helped Rubens in a large commission for the design of the hunting pavilion of the Spanish king Philip IV Torre de la Parada. Both artists worked together on the sets for the Royal Alcazar and the Royal Palace of Buen Retiro in Madrid. Snyders wrote about 60 hunting paintings and plots with animals based on sketches by Rubens. And later, inspired by the results of his creative work, King Philip IV entrusted Rubens and Snyders with an additional order for the creation of 18 works for the hunting pavilion.

"Prometheus chained"
"Prometheus chained"

"Prometheus Chained" is an oil painting by Peter Paul Rubens, a Flemish Baroque painter from Antwerp, in collaboration with Frans Snyders (masterfully depicting an eagle). This work is currently in the collection of the Philadelphia Museum of Art.

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