Video: What remained behind the scenes of "Carnival": why Muravyova went bruised, and what was the film's ending really like
2024 Author: Richard Flannagan | [email protected]. Last modified: 2023-12-15 23:55
July 20 marks 93 years since the birth of the film director and screenwriter Tatiana Lioznova, the fame of which was brought by the films "Heaven Submits to them", "Three Poplars on Plyushchikha", "Seventeen Moments of Spring", "We, the undersigned". No one expected that after these works she would take up the creation of a musical comedy, but this genre also submitted to her. In 1982 came out on screens film "Carnival" - a touching, funny and lyrical story about how the provincial Nina Solomatina performed Irina Muravyova tried to conquer the capital. There are many interesting moments behind the scenes.
The script for the film was written long before filming. Its author Anna Rodionova published it in the Cinema Art magazine, where he was noticed by director Tatyana Lioznova. This story did not leave her indifferent - after all, the main character, sincere and naive provincial Nina Solomatina, somewhat reminded her herself. She reworked the script, adding many episodes - for example, the scene with the rollers in the circus and the episode with the sick mother. She took many moments from her own biography: "". Lioznova also had to work as a costume designer and a cleaner before she found her place in the cinema.
The actress for the main role was approved immediately and without samples: Tatyana Lioznova had already worked with Irina Muravyova in the film "We, the undersigned" and saw only her in this image. Although the actress at that time was 32 years old, and her heroine was only 18! This role was not easy for Muravyova: for filming she needed to lose weight and learn how to roller skate. And they were special - with large wheels, non-maneuverable and bulky. The actress spent hours training in gyms to fit her school uniform.
For three months Muravyova had to train before she appeared on the rollers in the frame. At first, the actress was covered in bruises, and it took a lot of time to make up. When she went on tour to Kiev, the coach and the entire team of the Rhythms of the Planet ensemble went with her to perform dance numbers. They trained daily in between performances. As a result, the actress learned to skate quite well, and she had to act out awkwardness and awkwardness in the frame.
Irina Muravyova was so convincing in the role of Nina Solomatina that after the release of the film, many began to identify the actress with this heroine, for which there was no reason. "" - said the actress. After her role in the film "Moscow Does Not Believe in Tears" and "Carnival" Irina Muravyova cemented her reputation as the best film actress of the early 1980s. Oddly enough, she herself was unhappy with her work, believed that she looked ridiculous in the frame with ponytails and freckles, and was worried that she was not allowed to sing songs on her own - "Call me, call" and other compositions instead of her performed singer Zhanna Rozhdestvenskaya.
The town of Okhansk, from which Nina Solomatina came to Moscow, really exists on the map. But the shooting took place not there, but in Kaluga, as well as in the pavilions of the Moscow film studio. Gorky.
For many viewers, the final of the picture remained a mystery: did the provincial's dream come true to become an artist, or did she return to Okhansk forever? Initially, the final scene was even sadder than it was in the end. Nina Solomatina, leaving for Okhansk, had to meet the gypsy Karma at the station, with whom fate brought her in Moscow, and she told her that her child had died. But such an ending looked too hopeless, and the director wanted to end on a more lyrical and optimistic note, giving the viewer hope that the heroine's dream will someday come true. Many considered the ending of the film open, but Lioznova herself later said in an interview that she sees her heroine as an accomplished artist.
The film was such a success with the audience that even Eldar Ryazanov admitted to Tatiana Lioznova that he envies her as a director: "".
Perhaps half of the film's success could be attributed to the starring actress. After all, she was very demanding of herself: why Irina Muravyova did not like her most famous film heroines
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