The controversial canvases of the legendary painter Anthony van Dyck
The controversial canvases of the legendary painter Anthony van Dyck

Video: The controversial canvases of the legendary painter Anthony van Dyck

Video: The controversial canvases of the legendary painter Anthony van Dyck
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Portrait of Frans Snyders with his wife, 1631. By Antoon van Dyck
Portrait of Frans Snyders with his wife, 1631. By Antoon van Dyck

A distinctive feature of the works of the famous Flemish painter (Antoon van Dyck) was that he tended to intimacy and spirituality of images, where an important role was played not only by posture, but also posture, gaze and gestures of a person. That is why his restrained, but at the same time heartfelt paintings, with elements of mythological and religious themes, to this day attract the attention of connoisseurs of such creativity.

For twenty years of his creative activity, Antonis wrote about a thousand canvases, leaving behind a huge legacy in English and European portraiture. And it is not at all surprising that his paintings still serve as role models for contemporary artists, because each of them is full of life and naturalness.

Lamentation of Christ, 1634. By Antoon van Dyck
Lamentation of Christ, 1634. By Antoon van Dyck
Silenus Triumph. By Antoon van Dyck
Silenus Triumph. By Antoon van Dyck
Samson and Delilah. By Antoon van Dyck
Samson and Delilah. By Antoon van Dyck
Portrait of Lady Elizabeth Timbleby and Viscountess Dorothea Andover, 1637. By Antoon van Dyck
Portrait of Lady Elizabeth Timbleby and Viscountess Dorothea Andover, 1637. By Antoon van Dyck
Cupid and Psyche, 1638. By Antoon van Dyck
Cupid and Psyche, 1638. By Antoon van Dyck
Rest on the flight to Egypt, 1625. By Antoon van Dyck
Rest on the flight to Egypt, 1625. By Antoon van Dyck

Needless to say that artists are not of this world and their unrestrained imagination knows no boundaries, and creativity often puts the viewer at a complete dead end? Inspired by everyone and at once, they sometimes create such pictures in which not only the hidden meaning is closely intertwined,. In addition, the images born of the imagination not only shock with their madness, but also delight, causing ambiguous feelings and conflicting opinions.

Crowning with thorns, 1620 By Antoon van Dyck
Crowning with thorns, 1620 By Antoon van Dyck
The vision of the blessed priest Joseph, circa 1625. By Antoon van Dyck
The vision of the blessed priest Joseph, circa 1625. By Antoon van Dyck
Susanna and the Elders. By Antoon van Dyck
Susanna and the Elders. By Antoon van Dyck
Saint Ambrose and Emperor Theodosius, circa 1631. By Antoon van Dyck
Saint Ambrose and Emperor Theodosius, circa 1631. By Antoon van Dyck
Charles 1, 1625. By Antoon van Dyck
Charles 1, 1625. By Antoon van Dyck
Maria Clarissa, wife of Jan Vowerius, with a child, circa 1625. By Antoon van Dyck
Maria Clarissa, wife of Jan Vowerius, with a child, circa 1625. By Antoon van Dyck
Saint Jerome, circa 1631. By Antoon van Dyck
Saint Jerome, circa 1631. By Antoon van Dyck
Portrait of King Charles I of England on horseback, 1635. By Antoon van Dyck
Portrait of King Charles I of England on horseback, 1635. By Antoon van Dyck
Marquis Balbi. approximately 1625. By Antoon van Dyck
Marquis Balbi. approximately 1625. By Antoon van Dyck
Charlotte Butkens Mrs. Anua with her son, 1631. By Antoon van Dyck
Charlotte Butkens Mrs. Anua with her son, 1631. By Antoon van Dyck
James Stewart, Duke of Lennox and Richmond, circa 1632. By Antoon van Dyck
James Stewart, Duke of Lennox and Richmond, circa 1632. By Antoon van Dyck

Fascinated by ancient religion, death, secrets and cruelty, the works of the Symbolist artists to this day, excite the mind, making an indelible impression on the viewer. Their famous curiosity and interest, but also allow you to look into the most hidden corners of the human soul, full of mysteries, intrigue and betrayal.

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