Stunning paintings by Teodosio Sectio Aurea, "painted" by the shadow of three-dimensional compositions
Stunning paintings by Teodosio Sectio Aurea, "painted" by the shadow of three-dimensional compositions

Video: Stunning paintings by Teodosio Sectio Aurea, "painted" by the shadow of three-dimensional compositions

Video: Stunning paintings by Teodosio Sectio Aurea,
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Composition "Muse" by Teodosio Sectio Aurea
Composition "Muse" by Teodosio Sectio Aurea

Greek artist Teodosio Sectio Aurea violates the generally accepted schemes of perception of the everyday world, demonstrating the ephemeral and attractive underside of reality through the play of shadows. Each of his three-dimensional compositions, illuminated in a certain way, creates a completely unexpected shadow image that has not only a physical, but also a philosophical connection with its source.

Three-dimensional composition of 350 metal balls
Three-dimensional composition of 350 metal balls
Created from the shadows, Vitruvian Man by Teodosio Sectio Aurea
Created from the shadows, Vitruvian Man by Teodosio Sectio Aurea

The Vitruvian Man is a book illustration created by Leonardo da Vinci around 90-92 of the fifteenth century. This drawing is often used as a symbol of perfection and internal symmetry of the human body and even the universe as a whole. In 2013, in a sign of deep respect for the works of the great Teacher, Teodosio Sectio Aurea created a mysterious DNA puzzle from 350 metal balls connected in such a way that the shadow on the wall reproduces an 80x80 cm image of the Vitruvian Man.

Installation of Japanese cherry blossom
Installation of Japanese cherry blossom
Beautiful "Akina" - the shadow of the Japanese Sakura. Written by Teodosio Sectio Aurea
Beautiful "Akina" - the shadow of the Japanese Sakura. Written by Teodosio Sectio Aurea

The Sakura tree is a well-known symbol of Japan and Japanese culture. Sakura flowers are considered a symbol of female beauty, the personification of love and an omen of good luck. Poets, musicians and artists draw inspiration from the energy of these magical trees. So Teodosio Sectio Aurea, inspired by the beauty of cherry blossoms, gave new life to old pieces of iron. Using shadows from branches, flowering petals and a tree trunk instead of paints, he "painted" a beautiful female image called "Akina" (spring flower).

Scrap metal structure recreating Pablo Picasso's "Guernica"
Scrap metal structure recreating Pablo Picasso's "Guernica"
Guernica of light and shadow by Teodosio Sectio Aurea
Guernica of light and shadow by Teodosio Sectio Aurea

In 1937, Pablo Picasso created one of his most famous works and perhaps one of the most important works in art history, the Guernica painting (Guernica in Spanish). His painting became a cry of protest against the horrors of war and its dire consequences. 76 years later, Teodosio Sectio Aurea recreated this cry of protest with light and shadow from an abstract composition of pieces of metal, symbolizing the destructive power of war.

Stunning paintings by Teodosio Sectio Aurea, "painted" by the shadow of three-dimensional compositions
Stunning paintings by Teodosio Sectio Aurea, "painted" by the shadow of three-dimensional compositions
Stunning paintings by Teodosio Sectio Aurea, "painted" by the shadow of three-dimensional compositions
Stunning paintings by Teodosio Sectio Aurea, "painted" by the shadow of three-dimensional compositions
Stunning paintings by Teodosio Sectio Aurea, "painted" by the shadow of three-dimensional compositions
Stunning paintings by Teodosio Sectio Aurea, "painted" by the shadow of three-dimensional compositions

Almost nothing is known about the talented artist Teodosio Sectio Aurea, except that he lives in Athens and, having no art education, creates stunning light installation paintings. He also has a facebook blog.

The play of shadows is akin to magic that attracts many artists. Immediately reminiscent of the famous Japanese master of light and shadow Kumi Yamashita creates an equally amazing installation right in the plane of the shadow display.

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