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People of the 20th century in colorful shots of street photographer Bruce Gilden
People of the 20th century in colorful shots of street photographer Bruce Gilden

Video: People of the 20th century in colorful shots of street photographer Bruce Gilden

Video: People of the 20th century in colorful shots of street photographer Bruce Gilden
Video: List of biographies of famous Russian writers | Part 2 | Literary Life - YouTube 2024, November
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Street photographer Bruce Gilden is known for his unique photography style. And his longstanding Coney Island series is a vivid illustration of the photographer's ability and an iconic project in which Gilden documented the leisure time of New Yorkers from the late 1960s to the 1980s.

1. Holiday season

Crowds on the beach. USA, Brooklyn, Coney Island, 1977
Crowds on the beach. USA, Brooklyn, Coney Island, 1977

2. Woman on the amusement alley

In a booth labeled: "Look at her change from beauty to animal." USA, Brooklyn, Coney Island, 1969
In a booth labeled: "Look at her change from beauty to animal." USA, Brooklyn, Coney Island, 1969

Bruce Gilden was born in 1946 in Brooklyn, New York. Studying sociology turned out to be boring for a person with his temperament, so after leaving university, Gilden decided to buy a camera and become a photographer in 1967. He attended several classes at the School of Fine Arts in New York, but essentially Bruce Gilden is a self-taught photographer. Since 1998 he has been a member of the Magnum Photos photo agency.

3. Baby Louis

On a deserted amusement alley. USA, Brooklyn, Coney Island, 1977
On a deserted amusement alley. USA, Brooklyn, Coney Island, 1977

On his first filming excursion to Coney Island, he hitchhiked as his car was stolen. It was 1969, he was living in Queens, and only a year had passed since Gilden got his first camera.

4. Family vacation

Family on vacation. USA, Brooklyn, Coney Island, 1986
Family on vacation. USA, Brooklyn, Coney Island, 1986

After studying sociology at Pennsylvania State University, Bruce Gilden was drawn to photography. And after watching the film "Magnification" by Michelangelo Antonioni, he finally confirmed his decision to become a photographer. In 1968 he bought an inexpensive camera and attended several evening classes at the School of Fine Arts in New York. Having started working in a taxi, I realized that there was no time left for shooting, and got a job as a truck driver in my father's business, and all my free time I walked the streets with a camera. Since then, Bruce Gilden has focused on strong characters and is guided by Robert Capa's phrase: "If the picture is not good enough, you were not close enough."

5. Expensive toy

A man with a model airplane. USA, Brooklyn, Coney Island, 1976
A man with a model airplane. USA, Brooklyn, Coney Island, 1976

When Gilden was documenting Coney Island, the area had long been nostalgic for its best times. It flourished in the 1890s. Then this place attracted New Yorkers with summer temptations, a long beach, a Ferris wheel and roller coasters. From the late 1960s to the late 1980s, when Coney Island was under Gilden's lens, the place was considered a lot more seedy. In part, it fell into disrepair due to competition from other Long Island beaches, as well as a series of fires and the fact that people with money could already fly to more exotic places.

6. Yakuza

Members of a Yakuza gang in costumes tailored to the fashions of 1950s American gangsters. Asakusa, Japan, 1998
Members of a Yakuza gang in costumes tailored to the fashions of 1950s American gangsters. Asakusa, Japan, 1998

7. Photographers at the Valentino Haute Couture show

Photographers at the Valentino Haute Couture Fall 2001 show in Paris, France
Photographers at the Valentino Haute Couture Fall 2001 show in Paris, France

Gilden admits that it was much easier to photograph on Coney Island than on the streets of New York. The background was clearer and the people were still. This did not guarantee the best shots. But it was easier to get a good shot because people were sitting or lying down without moving.

8. Drinking Santa

Drinking Santa. New York, USA, 1968
Drinking Santa. New York, USA, 1968

In 2015, Gilden published the book The Face, consisting of portraits taken from extremely close range, even by his standards. The streets are not visible in the frames, only the faces of people on which traces were left by life itself. In them, what passers-by usually turn away from - poverty and powerlessness, alcoholism or drug addiction.

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