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10 of Quentin Tarantino's favorite films, for which he personally wrote reviews
10 of Quentin Tarantino's favorite films, for which he personally wrote reviews

Video: 10 of Quentin Tarantino's favorite films, for which he personally wrote reviews

Video: 10 of Quentin Tarantino's favorite films, for which he personally wrote reviews
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Everyone knows Quentin Tarantino as a talented actor and genius director, capable of creating real masterpieces. Each new Tarantino film becomes an event in the world of cinema. The director himself is also the owner of the New Beverley cinema in Los Angeles, on the website of which he uploads his reviews of films. Quentin Tarantino carefully looks at the paintings, and then shares his impressions of them with the audience.

"Targets", USA, 1968

Peter Bogdanovich's painting, according to Tarantino, is one of the most powerful films of 1968, and he also calls it the greatest directorial debut of all time. The viewers are given the opportunity to observe the development of two stories at once: an accomplished actor who has decided to end his career, and a prosperous young man who has decided to choose the path of a murderer from all possible paths in life. The two meet at the movie theater finale.

"Deadly needles against deadly fists", Taiwan, 1978

Quentin Tarantino confesses that he was never a fan of actor Wong Tao, a martial artist who was very popular and starred in many films. According to the director, Wong Tao was a good actor, but he always lacked charisma. But Tarantino believes that Deadly Needles vs. Deadly Fists was the best actor's work. However, the creator of Once Upon a Time in Hollywood generally considers this film directed by Tso Nam Lee to be first-class in every way, from the script to the acting.

"The Lady in Red", USA, 1979

Quentin Tarantino first saw this film by Lewis Teague at Rolling Hills Twin Cinema in its first week in Los Angeles and has watched countless times since then. The director himself sincerely admires the film "The Lady in Red" and considers it a real miracle, worthy of the attention of every viewer, who can feel in the smallest detail all the emotions experienced by the main character, Polly Franklin. Polly is a friend of a criminal element and she paid a high price to become the boss.

"Disassembly", USA, 1973

George Seaton's film, Tarantino notes, deserves attention already because it became the last in the work of the five-time Oscar winner. And although there is nothing new and unexpected in the plot of the western, the film turned out to be not only fascinating, but sometimes even funny. It is the comedy scenes that suddenly appear in the most seemingly tense moments that reveal the director's skill.

"The Players", USA, 1979

Quentin Tarantino calls Anthony Harvey's work "Hollywood Tennis Movie". It tells the story of the tennis hobo Chris played by Dean Paul Martin. Despite the fact that at the time of its release "The Players" was ridiculed by critics and rejected by the viewer, Tarantino notes that the film turned out to be quite good thanks to the scenes where the protagonist trains with his mentor. Of particular value is the storyline associated with the legendary tennis player Pancho Gonzalez, who plays himself in the film.

Yakuza, Japan, USA, 1972

Quentin Tarantino calls Sydney Pollack's film "a unique, graceful 70s gangster thriller."However, only a true master could so organically show the idea of nobility in two diametrically opposed cultures. The author of the review considers the final scene of the picture to be one of the great endings of any film of his era.

"Sometimes a great idea …", USA, 1971

According to Quentin Tarantino, the undoubted merit of Paul Newman's film is a special director's vision, which made the adaptation of Ken Kesey's novel of the same name an emotional and vivid story about the life of a clan of woodcutters from Oregon. But at the same time, Tarantino believes that the director in vain did not include in the picture several important scenes present in the book, and did not show too convincingly the development of relations between members of the Stampers family.

Lords of Flatbush, USA, 1974

The film by Martin Davidson and Stephen Veron was one of the first films in Sylvester Stallone's career. Tarantino admits that it was this film that made him look differently at films about New York and after Lords of Flatbush he began to watch Evil Streets, Taxi Driver and Shards. As one of the advantages of the picture, Quentin Tarantino notes the game of Stallone, who already at that time was able to demonstrate his special acting style.

Escape from Alcatraz, USA, 1979

When Quentin Tarantino saw this Don Siegel film starring Clint Eastwood, he was only 17 years old. And the future famous director frankly did not like "Escape from Alcatraz". But he came back to it a few years ago and this time he found it both exciting and exciting. Of particular value is the unique creative duet of director Don Siegel and actor Clint Eastwood, thanks to which the film turned out to be bright and expressive.

"I escaped from Devil's Island", Mexico, USA, 1973

Quentin Tarantino calls William Whitney's film strong and tough, but not violent. Tarantino believes that the main value and difference of the painting "I Escaped from Devil's Island" is the study of the social dynamics of society on the prison islands.

Quentin Tarantino is an iconic personality. He is not only included in the list of the brightest representatives of modern Hollywood, but is also one of the leading representatives of the postmodern genre in cinema. Journalists (and not only them) were extremely surprised when on the very first day of his visit to Moscow, Hollywood director Quentin Tarantino asked to be taken to the Peredelkino cemetery to the grave of Boris Pasternak, his literary idol since childhood.

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