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7 women who were the muses of great artists
7 women who were the muses of great artists

Video: 7 women who were the muses of great artists

Video: 7 women who were the muses of great artists
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The female portraits of great artists are literally breathtaking today. They are so different: gentle and strict, romantic, and sometimes very earthly. They witnessed the creative torments of the brilliant masters, consoled them and forced them to take up the brush again and again. Who were they really, amazing representatives of the fair sex, who inspired artists to create immortal paintings?

Saskia van Eulenburg

Saskia van Eulenburg as Flora
Saskia van Eulenburg as Flora

His "Danae" has an amazing appeal. The artist did not plan to sell his painting, he painted it for himself in order to be inspired over and over again by its beautiful features. Nevertheless, it was thanks to Danae that the Dutch artist received worldwide recognition. When this picture was subjected to X-ray examination, then art critics were presented with none other than the wife of the great artist.

Saskia van Eulenburg as Flora
Saskia van Eulenburg as Flora

They met in Amsterdam and Saskia became the great artist's permanent muse for many years. Danae was written shortly after the wedding. Then Rembrandt more than once painted his beloved wife, now in the form of a harlot, then in the guise of a goddess.

Camilla Donsier

"Camilla, or a portrait of a lady in a green dress."
"Camilla, or a portrait of a lady in a green dress."

The unforgettable painting "Camilla, or a portrait of a lady in a green dress" made Claude Monet famous, and the lady captured on it became the artist's wife. They lived together for only 15 years, became the parents of Jean and Michel and were very happy. However, shortly after the birth of her second son, Camilla Donsier died. Her poor health could not stand the second birth. And after the death of his beloved wife, Monet will paint another picture. The one where his Camilla lies on her deathbed.

Elena Fourman

Elena Fourman
Elena Fourman

Elena Fourman became Rubens' wife four years after his first wife, Isabella Brant, passed away. The second wife for many years became the permanent muse and inspirer of the great Rubens. She invariably appeared on his canvases in different images: Bathsheba, Venus, one of the three graces. And the artist constantly painted real portraits of his wife. She can be seen either walking with children, or in a wedding dress, or in the "Garden of Love". The artist's wife herself was very modest and ashamed of her candid images.

Gala Dali

"Gala contemplates the hypercubic body."
"Gala contemplates the hypercubic body."

By the time of her meeting with Salvador Dali, Gala was married to Paul Eluard, with whom she raised her daughter Cecile. But the acquaintance with the great artist was a real thunderbolt for both her and Dali. However, even before that, she had already tried herself in the role of Max Ernst's muse, remaining a married lady, but not hiding an affair with another man. But everything and everyone was forgotten for the sake of Dali, who was 10 years younger than Gala.

"Portrait of Gala against the light."
"Portrait of Gala against the light."

Three years after they met, in 1932, they officially registered their marriage, and got married only a quarter of a century later. Gala has become an endless source of inspiration for an artist willing to pray for his wife. Their relationship was never easy, but Dali did not need ease and accessibility.

Emilia Flöge

Emilia Flöge at 17. Portrait by Gustav Klimt
Emilia Flöge at 17. Portrait by Gustav Klimt

She fell in love with him the moment she saw Gustav Klimt, to whom the parent ordered portraits of her daughters. Emilia did not take her eyes off him and was ready to give everything for the opportunity to just be around. He was inspired by her youth, beauty and love.

Portrait of Emilia Flöge. 1893
Portrait of Emilia Flöge. 1893

True, this did not prevent the artist from starting new novels and enjoying the company of other women. Nevertheless, Klimt wrote his most famous canvases, inspired by the beauty and grace of Emilia. She invariably admired his talent, defended him from attacks from critics, experienced all the new hobbies of the fickle Klimt and fought her painful dependence on him.

Berthe Morisot

"Berthe Morisot with a bouquet of violets."
"Berthe Morisot with a bouquet of violets."

She herself was a talented artist and the first woman impressionist, and after meeting Edouard Manet in the Louvre in 1868, she became the artist's muse for six long years. Manet tirelessly painted her portraits, but Berthe Morisot married not Edouard, but his younger brother Eugene. In memory of the happy years of inspiration, the elder Manet left his muse a painting "Bouquet of violets".

Lydia Delectorskaya

Lydia Delectorskaya
Lydia Delectorskaya

Henri Matisse has been painting portraits of Lydia Delectorskaya ever since she first knocked on the door of his studio in 1932 in search of at least some work. She was 22, he was 65, she looked after his sick wife and did not even imagine that she would become the light of his eyes, and for her he would turn from an employer into the only meaning of life.

Henri Matisse and Lydia Delectorskaya
Henri Matisse and Lydia Delectorskaya

For 20 years, she inspired the great master to create new and new masterpieces, and he, painting portraits of Lydia, each time discovered new features in her, complemented her image with his love.

"If he had not become an artist, he would have become Don Juan" - once said a friend of Pablo Picasso, the French playwright Jacques Cocteau. And it's hard to disagree with him. You can write a lot about the views of the artist (creative, smoothly flowing into sharply political), family and friends (which had a significant impact on his success), but it is impossible to overestimate the role of women in the work of Pablo Picasso.

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