Video: Sculptures by Natalie Mibach, or What the weather looks like
2024 Author: Richard Flannagan | [email protected]. Last modified: 2023-12-15 23:55
In the sculptures of Nathalie Miebach, science and art are very closely intertwined. The author carefully records his own observations of the weather, as well as data from meteorological stations, and then these data become a kind of scheme for her to create sculptures. So if you want to know what the weather looks like, then no one can explain it better than Natalie Mibach.
Natalie Mibach's work focuses on the intersection of science and art, as well as the visual expression of scientific research. Using the methodology and processes of both disciplines, she translates scientific data related to astronomy, ecology and meteorology into wicker sculptures. “My translation method is predominantly based on weaving - in particular basket weaving,” says Natalie. "It gives me a simple yet highly efficient grid that allows me to interpret meteorological data in three dimensions."
According to the author, the central place in her work is the desire to explore the role of visual aesthetics in the translation and understanding of scientific information. Using artistic processes and everyday materials, Natalie Meebach significantly expands the usual boundaries of visualizing scientific data, and adds her colored wicker sculptures to traditional diagrams, tables and diagrams. True, it is difficult to imagine such a sculpture in a scientist's office, because, probably, only its author will be able to understand what kind of data is encrypted in it.
Having created a lot of wicker sculptures, Natalie Mibach decided that something was still missing in her works. And, on reflection, she added acoustic to the visual presentation of scientific data. Now the author writes down the meteorological information in the form of a certain scheme, which serves both as a guide when weaving sculptures and a score for a musician. You can listen to how the weather sounds at website Natalie Meebach.
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