Video: How the movie was made: a touching incident on the set of the film "Cold Summer of 1953"
2024 Author: Richard Flannagan | [email protected]. Last modified: 2023-12-15 23:55
On the set of films, actors quite often reveal not only their talent, but also human qualities. Alexander Proshkin, the director of the film "Cold Summer of the Fifty-third", which became the last work of Anatoly Papanov, in one of his interviews spoke about the touching incident with this actor that took place on the set.
We worked fine for a week. The residents helped us as much as they could. And no surprises were foreseen, since the village is isolated on three sides by water. A week later, Anatoly Papanov's first shooting day begins. He arrived on time, we are starting to shoot, and … I can not understand anything: wherever we point the camera, outside boats climb into the viewfinder. There are many motorboats. And everyone is moving in our direction. And what kind of motorboats can there be in 1953?
We shoot from a rocket launcher, shout against the wind into a horn - it's useless: motor boats are rushing towards us from all directions. They approach, dock, and we see: in each boat there are two or three children with a grandfather or grandmother, in the hands of each child for some reason a book or a notebook. And everyone, it turns out, came to the meeting with "Grandpa Wolf". We gave up and stopped filming.
True, the cinematic administration, in its usual harsh manner, tried to apply “pressure across the entire field,” but Anatoly Dmitrievich intervened: “What are you, what are you! Let's better get together somehow!"
They got together and made the children sit down. He wrote something to everyone, he found his own words for everyone. I watched this scene, forgetting about the expensive cost of a disrupted shooting day. I saw by the faces of these children that they will remember their meeting with a man of infinitely kind heart for the rest of their lives …
We hope that fans of Russian cinema will be pleased to remember about favorite "grandmother" of Soviet cinema - about Tatyana Peltzer.
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